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Improve Your Negotiation Satisfaction

29 Saturday Sep 2012

Posted by Negotiation Fox in Uncategorized

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Arts, Arts Strategies, business skills for artists, Negotiation, negotiation for artists, negotiation skills, negotiation skills training, negotiation strategies, negotiation training, negotiation training for artists

According to research[1], our satisfaction with the outcome of a negotiation doesn’t depend solely on how much we objectively gained or lost, but rather on four factors:  our measurable gains and losses, how the negotiation made us feel about ourselves, whether the negotiation process was collegial and fair, and whether we developed a productive working relationship with our counterparts.[2]

Therefore, in order to maximize satisfaction and build a strong working relationship, we want to control what we can in a negotiation.  This may include the negotiation process.  Take the time beforehand to discuss with the other party how you will negotiate before talking about the issues to be negotiated.

One question you might ask yourself is:

Where will we negotiate? Don’t assume that the other side plans to meet at your location or vice versa.  As good negotiators know, assumptions may be erroneous and, consequently, detrimental. Your counterpart may have a different idea about where you should negotiate.

Negotiating on your home court can be advantageous, because it allows you to control the environment and feel at ease. But traveling to the other party’s turf can send a message that you are serious about making a deal. It also gives you opportunities to observe your counterpart in his surroundings. If you’ve not visited your counterpart before, you may learn more about his/her interests and have the opportunity to meet others who are indirectly involved in or affected by the negotiations. You might also consider negotiating on neutral territory, such as a hotel or restaurant conference room.[3]

Here’s a true story that demonstrates the impact that choice of site can have on the outcome and satisfaction in a negotiation.

A former student, Ted, was the new Executive Director of a not-for-profit organization.  As is often the case when someone new takes the helm, there was resistance on the part of some employees.  With one employee, Donna, this resistance escalated to the point of insubordination, breach of confidentiality and disloyalty to the organization.  Ted was finally forced to call her on it.  In response, Donna, who had worked for the organization for many years, complained to the Board President about Ted’s reprimand.  Feeling that he had to mediate, the Board President scheduled a meeting between Ted, Donna and himself.  He assured Ted that he would support Ted’s authority to manage the organization and its employees.  Ted assumed the meeting would take place in a casual setting, such as a coffeehouse.  Imagine his surprise when he was informed, thirty minutes before the meeting, that it was to be held in the conference room of a large law firm!  This choice of venue and setting sent a loud message to Donna that her complaint was valid and worthy of serious consideration, rather than a reprimand for her inappropriate behavior; the meeting appeared to be more of a reprimand to Ted for his management style.  The discussion was so overshadowed by the implications of the location that Donna left feeling vindicated, and Ted left feeling that his authority to lead the organization had been severely compromised. Ted left the organization after only three months.

The important thing is to talk about the negotiation location in advance so you will be aware of and prepared for it.   If you have a preference of place for your negotiation, frame your preference in terms of the benefits for the other party.  On the other hand, if the other party’s location preference won’t negatively impact you, keep in mind that conceding to your counterpart on relatively minor process issues, builds trust and goodwill.  This may pay off to you when it’s time to discuss issues of substance.


[1] research by Jared Curhan and Hen Xu of Massachusetts Institute of Technology and Hillary Anger Elfenbein of the University of California at Berkeley,

[2] Adapted from“Start Your Talks Off On the Right Foot,” first published in the Harvard Negotiation newsletter, September 2009.

[3] Adapted from“Start Your Talks Off On the Right Foot,” first published in the Harvard Negotiation newsletter, September 2009.

ALL RIGHTS RESERVED – Nancy J. Fox 2012

Valuing Your Work

02 Saturday Jun 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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Arts Strategies, Daniel Kahneman, Endowment Effect, how to price artwork, Negotiation, negotiation for artists, Negotiation Fox, negotiation skills, negotiation skills training, negotiation strategies, negotiation training, negotiation training for artists, negotiation workshops, pricing artwork, Richard Thaler

As artists grapple with the task of pricing their works, their first – and toughest – negotiation may be with themselves. Since artwork has no Manufacturer’s Suggested Retail Price (MSRP), Book Value or systematically quantifiable price, how much is it worth?

Conventional wisdom says that something is worth whatever a buyer is willing to pay for it.  This means the artist should price the work within a realm that will attract an offer from a buyer in order to establish a negotiating range within which the two parties can attempt to reach agreement.  However, in trying to establish that price, other issues, such as emotional attachment, may cloud the artist’s ability to think rationally about the value of the item to a prospective buyer.  For example, perhaps this is the first work in a new series, or perhaps the work was inspired by a dream trip to Italy.

Research conducted by Daniel Kahneman, Jack Knetsch  and Richard Thaler, found that we value things higher once we own them – a phenomenon they call the Endowment Effect – and that giving these things up represents a loss to us.  For example, they found that people valued a specific coffee mug at a median price of $2.88 – $7.12, depending on whether they were buying or selling the mug.

In dealing with the emotional sense of loss that may accompany selling their work, artists must consider whether a work is truly sacred, in which case perhaps s/he does not really want to sell it, or whether it is, as Professor Max Bazerman (Harvard Business School) refers to it, only quasi-sacred, in which case the artist needs to take a more objective approach to valuing it.

After surveying the market for comps, reviewing recent selling prices and other due diligence, artists must set a price – sans emotional attachment – that will bring in offers.   Those offers are a starting point for negotiation.

Copyright © 2012 by Nancy J. Fox

A Negotiation Myth

10 Saturday Mar 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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arts negotiations, Arts Strategies, Negotiation, negotiation for artists, negotiation for the arts, negotiation skills, negotiation skills training, negotiation training, negotiation workshop, negotiation workshops

“He who speaks first, loses”, is a widely heard statement about negotiation that implies that it’s best to let the other person make the first offer.  However, there is a plethora of empirical data to show that this is a myth.  Most times, you’ll do better in a negotiation if you make the first offer.  Why?  Because, if you’re a savvy negotiator and have done your homework, you’ll set that offer high (or low, depending upon whether you’re the seller or the buyer).  There are times, however, when you’ll want the other party to speak first.

We’ll be discussing this point – and many other great strategies –  at greater length in my workshop on March 15th in Long Beach.  To learn more, REGISTER NOW!

Next Negotiation Skills Workshop

04 Sunday Mar 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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business skills for artists, Long Beach California, negotiating skills, negotiation skills training, negotiation training, negotiation training for artists, negotiation workshops

Benjamin Franklin tells us that, “An investment in knowledge pays the best dividends.”  Negotiation training delivers quantifiable results and will pay back to you for the rest of your life.  Seating is limited, so REGISTER NOW.

Negotiation Essentials Workshop

Thursday, March 15, 8:30 – 12:00 p.m.

Bixby Knolls Expo Art Center, 4321 Atlantic Avenue

Long Beach, CA  90807

REGISTER HERE

Negotiation Fox to be Guest on “The Coaching Show”

04 Sunday Mar 2012

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Christopher McAuliffe, coaching, Negotiation, negotiation skills, negotiation skills training, negotiation tips, The Coaching Show, WSRadio.com

This Wednesday, March 7 at 8:30 a.m., I’ll be sharing some negotiating tips on Christopher McAuliffe’s popular blog-talk radio program, “The Coaching Show”.  The host station, WSRadio.com, will archive the program, so you’ll be able to get access to the segment later at your convenience.

Although the negotiation tips I’ll be sharing with McAuliffe’s listeners are targeted to professional coaches, they are useful for anyone, including artists.

Warholian Messsage

11 Saturday Feb 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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Arts Strategies, Negotiation, negotiation for artists, negotiation skills, negotiation strategies, negotiation strategies for the arts, negotiation training

I stumbled upon this site, www.warholian.com,  through one of my FB friends. Among the many messages in this picture, lies one that can be related to negotiation.

As I’ve mentioned before, negotiation outcomes are closely tied to our relationship with the other party and to our ability to empathize with them.  If we restrict ourselves to a narrow circle of relationships with people just like ourselves, we deny ourselves the opportunity to broaden our perspectives.  When it comes time to sit down at the negotiating table,  an artist’s tendency to “mix with all classes of society” should provide an advantage in being able to relate to a broad spectrum of people.

GYST-Ink and Negotiation Fox Partner to Benefit Artists

01 Wednesday Feb 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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Arts Strategies, California Institute of the Arts, Karen Atkinson, Negotiation, negotiation for artists, Negotiation Fox, negotiation training, the business of art

NEWS RELEASE

LONG BEACH, CA, February 1, 2012 – Today, Negotiation Fox and GYST-Ink announced formation of a strategic partnership designed to help artists get the business skills and tools they need to succeed.  By combining their resources, the companies intend to make a broader spectrum of information and services available through their websites.  As an initial step toward this goal, Nancy Fox – a/k/a Negotiation Fox, will become a guest blogger for GYST’s Linked In group, contributing monthly tips and information on handling the business side of being an artist.

Commenting on the benefits of the new relationship, GYST’s founder, Karen Atkinson, explained, “Partnerships are an important part of gathering together a group of voices which can help us expand our support of artists, and we are thrilled to bring on a new GYST Team member, Nancy Fox. Negotiating is such a large part of our lives as artists, and Negotiation Fox will bring some important information to our resources for artists.”

Negotiation Fox referred to the partnership as “an opportunity to collaborate with one of the best resources in the field.  GYST’s work in this area has been truly groundbreaking, and I am excited to join forces with them to take business training for artists to the next level.”

Founded in 2000 by Karen Atkinson, an accomplished artist, curator and professor at California Institute of the Arts, GYST (Getting Your Sh*t Together) provides comprehensive information, resources and products for artists of all kinds in order to level the playing field and keep artists working.  GYST-Ink conducts workshops worldwide, has published a Professional Practices Manual for Artists and has developed computer software programs for artists to manage all aspects of their career and business.

Nancy James Fox learned the value of negotiation in a thirty-year career that included top management positions in the luxury goods industry and in the non-profit arts sector.  Ms. Fox founded Negotiation Fox in 2010 to bring negotiation skills training, most commonly the purview of big corporations, to mainstream businesses and the arts.

For more information about Negotiation Fox or GYS*T, please visit their respective web sites:  www.negotiationfox.com or gyst-ink.com.  Negotiation Fox also publishes a blog at www.negotiation-4-the-arts.com.

 About Negotiation Fox

Negotiation Fox provides the highest quality negotiation training and consulting services based on 30 years experience in both the business and not-for-profit sectors.  We present the most current perspectives on negotiation strategies, gleaned from the foremost authorities in the field.  We specialize in training for small business, not-for-profit organizations, artists and arts organizations.  Our full and half-day workshops include lively exercises and role plays to reinforce the learning.  Negotiation Fox also offers online courses and is available for speaking engagements.   The company’s objective is to help organizations and individuals get what they want by acquiring the confidence and skills to negotiate well in any situation.

About GYST-Ink:
GYST-Ink, an artist-run business that supports artists, has been the leading resource for professional practice, art advice and art business services in Southern California since 2000. Founded by artist Karen Atkinson, GYST-Ink is an artist-run company providing information, technology and solutions created by artists for artists. Our mission is to support artists and arts organizations with an integrated mix of software, services and information in order to keep artists working. GYST–Ink is dedicated to empowering and educating artists so that they can develop sustainable and successful careers on their own terms. GYST’s products and services include professional practices software, a blog, a newsletter, career development workshops, artist resume and statement reviewing, document and artwork documentation and archiving, a skills bank, web development and consulting services.

# # #

Interview with Nancy Fox Negotiation Fox 01/02 by GYST Radio | Blog Talk Radio

11 Wednesday Jan 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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GYST Radio, Nancy Fox, Negotiation Fox, negotiation training, negotiation training for artists

Interview with Nancy Fox Negotiation Fox 01/02 by GYST Radio | Blog Talk Radio.

It was my pleasure to be a guest on GYST Blog talk radio.  If you would like to access the broadcast, please click on the link above.  i believe the link I posted a few days ago was not functional.  I apologize for any inconvenience.

During the show, we offered a free to seat to my March 15, 2012 workshop, and I’m pleased to announce that the winner of that seat is Joshua Jenkins of Los Angeles.  Congratulations, Joshua!

Turn Approval Sales into Money in the Bank

09 Monday Jan 2012

Posted by Negotiation Fox in Negotiation, Uncategorized

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Arts Strategies, Negotiation, negotiation skills, negotiation strategies, negotiation training

Sometimes people want to try before they buy.  They may want to see how your artwork fits into their environment or their collection before they commit to owning it.  If you put artworks out on approval or consignment during 2011, end-of-year is the perfect time to settle those arrangements. 

If the pieces have been out on approval past the originally agreed upon period, or if the period of time for the loan was not expressly stated or committed to writing, you might consider a tactic called the presumptive close.

In the presumptive close, you will use language that implies that the transaction is, so to speak, a done deal.  Here’s an example:

Let’s say you put a piece out on approval three months ago.  When you contacted the interested party thirty days later, s/he indicated that s/he wanted to return the piece.  However, s/he didn’t return it. Perhaps you left the piece there a little longer in the hope that s/he would change their mind.  (Btw, hope is faith’s sister.)

Instead of contacting the other party again to plead for resolution of the situation, try the presumptive close, i.e., send the other party an email stating, “Happy New Year! I hope you play your best golf yet this year. In closing my books for 2011, I noticed that I forgot to invoice you for xxx piece.  I’m pleased to have my artwork in your collection.”  If you’ve received any press, awards, etc., this is a good time to promote your work, so the other party will feel good about the purchase.  Then, continue with, “Attached please find my invoice.”

By using the presumptive close, you should get action: either the other party will pay for the artwork or s/he will return it.   Either way, it’s better than having to leave countless voicemail messages begging for resolution.  In the worst case, you will get your artwork back.  That artwork is an asset that can be re-deployed in 2012.

If properly used, the presumptive close has the potential to turn stagnant transactions into sales, while preserving the relationship with the other party.

Register for my Next Workshop

02 Monday Jan 2012

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Jump start 2012 by giving yourself the advantage of learning to make better deals.  Register for my next workshop.  Earlybird discount applies through February 1, and participation is limited to 24, so secure your seat now. 

Thursday, March 15, 2012 – 8:30 a.m. to 12:00 p.m.

Long Beach, CA (exact location t/b/d)

REGISTER

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